Renaissance as an Aesthetic Mechanism: the Renaissance and the Russian Silver Age

The object of this study is the phenomenon of renaissance in culture, the subject area is the causes and mechanism of the deployment of Renaissance processes. The problems we are starting from are the blurring of the term "renaissance" in humanitarian studies and the lack of its conceptualization from the point of view of aesthetic sensuality. One of the well – established perspectives of the Renaissance phenomenon is its generalization as a universal phenomenon. Understanding the "renaissance" as a recurring event and a feature of culture raises the question of the foundations and characteristics of the "Renaissance". The article identifies such signs from the standpoint of philosophical aesthetics, referring to the changes in the spatial-temporal concepts of the European Renaissance and the Russian Silver Age, as well as the productive consequences of this recoding. The originality of the author's approach lies in the fact that the approach to the topic is carried out through the study of historical transformations of sensuality and sensitivity, which have not yet received a detailed understanding of aesthetics. To describe cultural revivals as aesthetic processes, the concept of the "aesthetic mechanism" of the Renaissance is proposed, based on the idea of changing chronotopes. The main conclusions are that the re-symbolization of space and time, defined by I. Kant as a priori forms of sensuality, causes a change in the phenomena organized by them, and the result of changing the worldview and the existential position of the subject is the intensification of culture, which constitutes the Renaissance.

Renaissance aesthetics, aesthetics of the Silver Age, Russian renaissance, cultural renaissance, sensuality, a priori forms of sensuality, chronotoping, time and space, aesthetic mechanism, the aesthetic mechanism of the Renaissance