Роль Николо Гримальди (Николини) в развитии итальянской оперы в Лондоне начала XVIII века
- Авторы: Синьхан Ц.1
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Учреждения:
- Казанская государственная консерватория имени Н.Г. Жиганова
- Выпуск: № 3 (2023)
- Страницы: 34-47
- Раздел: Статьи
- URL: https://journal-vniispk.ru/2453-613X/article/view/365847
- EDN: https://elibrary.ru/STXHBW
- ID: 365847
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Цуй Синьхан
Казанская государственная консерватория имени Н.Г. Жиганова
Email: cuixinhang23@mail.ru
ORCID iD: 0009-0001-4336-1899
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Список литературы
Stampiglia, S. (1697). La Caduta de' Decemviri. Drama per musica. Napoli: Dom. Ant. Parrino, Michele Luigi Mutio. Cibber, C. (1968). An apology for the life of Colley Cibber, with an historical view of the stage during his own time. Ed. B. R. S. Fone. Ann Arbor: University of Michigan Press. Agreement between Owen Swiny and Nicolini. (2012). In A selection of letters from the Broadley albums at City of Westminster Archives Centre, with biographical notes. Compiled by David Evans and Judith Bottomley. Westminster City Archives, April 2012. Retrieved from file:///C:/Users/User/Downloads/annals-of-the-haymarket.pdf Roach, J. R. (1976). Cavaliere Nicolini: London’s First Opera Star. Educational Theatre Journal,Vol. 28 (No. 2), 189–205. Hogarth, G. (1851). Memoirs of the Opera in Italy, France, Germany and England. In two volumes: Vol.1. London: Richard Bentley. Halsband, R. (Ed.). (1965). The Complete Letters of Lady Mary Worthy Montagu. Vol. 1: 1708–1720. Oxford University Press. The Spectator (1711). 15 March. North, R. (1959). Roger North on Music: Being a selection from his essays written during the years c. 1695–1728. Ed. John Wilson. London: Novello and Company. Handel, G. Frideric., Hill, A., Rossi, G. (1711). Rinaldo: an Opera. London: Printed by Tho. Howlatt. The Spectator (1711). 6 March. Burney, Ch. (1935). A General History of Music, from the earliest ages to the present period (1789). Ed. Frank Mercer. Vol. 2. London: Harcourt, Brace and Company. Celletti, R. (2001). A history of bel canto. Trans. from the Italian by Frederick Fuller. Oxford: Clarendon Press. Desler, A. (2016). From Castrato to Bass: The Late Roles of Nicolo Grimaldi “Nicolini”. In C. Haworth, L. Colton (Eds.), Gender, Age and Musical Creativity (pp. 61–80). London and New York: Routledge. The Tatler (1710). 3 January. The Spectator (1712). 14 June. Ян Т. Голос Сенезино (Франческо Бернарди): свидетельства очевидцев // Journal of science. Lyon. 2022.№ 37. С. 16–21. https://doi.org/10.5281/zenodo.7409664
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