Remain as foam, Aphrodite (The lyrical “She/It” in Osip Mandelstam’s poem Silentium)
- Authors: Užarević J.1
-
Affiliations:
- University of Zagreb
- Issue: Vol 18, No 3 (2020)
- Pages: 190-204
- Section: Articles
- URL: https://journal-vniispk.ru/1026-9479/article/view/285842
- DOI: https://doi.org/10.15393/j9.art.2020.8263
- ID: 285842
Cite item
Full Text
Abstract
The article approaches the problem of the correlation between the lyrical persons “I”, “You”, “She” in the poem Silentium by Mandelstam. Special attention is paid to the difference between the lyrical She/It (the original muteness, the first principle of life) and the lyrical “You” (the word, the heart, Aphrodite). The composition of the poem is remarkable for its mirror symmetry, both in terms of sound organization and semantics. The main idea of the poem is a return to the “first principle of life” through the acquisition of “initial muteness” by the lyrical “I”. In this situation, poetry turns out to be both paradoxical and transparadoxical reality, since the demand for “silence!” is implemented by means of the language (word).
Keywords
About the authors
Josip Užarević
University of Zagreb
Author for correspondence.
Email: juzarevi@mudrac.ffzg.hr
PhD, Professor of the Department of East Slavic Languages and Literature, Faculty of Philosophy
Croatia, ZagrebReferences
- Esaulov I. A. The Problem of a Visual Dominant of Russian Literature. In: Problemy istoricheskoy poetiki [The Problems of Historical Poetics]. Petrozavodsk, PetrSU Publ., 1998, issue 5, pp. 42–53. Available at: http://poetica.pro/journal/article.php?id=2474 (accessed on February 10, 2020). doi: 10.15393/j9.art. 1998.2474 (In Russ.)
- Toporov V. N. About a “Psychophysiological” Component of Mandelstam’s Poetry. In: Toporov V. N. Mif. Ritual. Simvol. Obraz: issledovaniya v oblasti mifopoeticheskogo: izbrannoe [Toporov V. N. Myth. Ritual. Symbol. Image: Researches in Mythopoetics: Selected Works]. Moscow, Progress Publ., Culture Publ., 1995, pp. 428–445. (In Russ.)
- Tyupa V. I. A Comparative Analysis of Two Silentiums. In: Tyupa V. I. Analiz khudozhestvennogo teksta [Tyupa V. I. Analysis of an Artistic Text]. Moscow, Academia Publ., 2009, pp. 277–289. (In Russ.)
- Užarević Y. (Trans)Paradox of the End (From the Book “The Composition of a Lyric Poem”). In: Poetika finala: mezhvuzovskiy sbornik nauchnykh trudov [The Poetics of the Final: Interuniversity Collection of Research Papers]. Novosibirsk, Novosibirsk State Pedagogical University Publ., 2009, pp. 16–22. (In Russ.)
- Epstein M. N. Poeziya i sverkhpoeziya: o mnogoobrazii tvorcheskikh mirov [Poetry and Super-Poetry: About the Diversity of Creative Worlds]. St. Petersburg, Azbuka Publ., 2016. 477 p. (In Russ.)
- Greene B. Tkivo svemira. Prostor, vrijeme i zašto su stvari kakve jesu [The Fabric Of The Universe. Space, Time, and Why Things Are What They Are]. Zagreb, Jutarnji list, Naklada Jesenski i Turk Publ., 2014, pp. 304–305. (In Croatian)
- Malić Z. Velika šutnja [The Big Silence]. In: Republika. Zagreb, 1982, no. 10, pp. 69–72. (In Croatian)
- Užarević J. Kompozicija lirske pjesme: (O. Mandeljštam i B. Pasternak) [Lyric Song Composition: (O. Mandelstam and B. Pasternak)]. Zagreb, Zavod za znanost o književnosti Filozofskoga fakulteta u Zagrebu Publ., 1991. 243 p. (In Croatian)
Supplementary files
