Philosophy of Music in the Image of the World: From Antiquity to the Modern Time
- Authors: Kolomiets G.G.1
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Affiliations:
- Orenburg State University
- Issue: Vol 25, No 1 (2021): DOSTOEVSKY AS A THINKER: TO THE 200TH ANNIVERSARY OF THE BIRTH
- Pages: 139-155
- Section: PHILOSOPHY. RELIGION. CULTURE
- URL: https://journal-vniispk.ru/2313-2302/article/view/324985
- DOI: https://doi.org/10.22363/2313-2302-2021-25-1-139-155
- ID: 324985
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Abstract
The article presents philosophical views on music in the context of the transformations of the worldview from Antiquity to the Modern Time. In this research author also mentions the contemporary issues, and uses her own philosophical concept of the music, which can be described as following: the value of music as a substance and the way of the valuable interaction of a person with the world affirm the essence of musical being, in which the invariable principle of Harmony, the principle of Chaos-Form movement, is preserved (see "The Value of the Music: Philosophical Aspect"). Music expresses the fluid essence of the world and changes of being in space and time. Philosophy of music as a field of philosophical knowledge considers music from ontological-epistemological and phenomenological-axiological prospectives, as something more than just a form of art. It explores the deep, ultimate foundations of the existence of music as such and the philosophical and aesthetic foundations of musical art. Since ancient times music has been a representation of the world in the human conscience and served as the harmonic equivalent of cosmological philosophy, mathematics, astronomy, and astrophysics (Pythagoras, Plato, Aristotle, Aristoxenus, Porphyry et als.). The scientific view on music was enriched in the Modern Time by the expanded view on the cosmo-sound space reflected in musical art, which at the same time transforms the mathematical ideas of geometricity, squareness etc. The tendency to create integral world music in the musical practice of the XX-XXI centuries explains the attempt of mankind to present music by modern methods of composing musical art as an expression of fear towards the secret Harmony of universal existence, and, on the other hand - as a form of search for salvation and mental balance, intuitively reflecting what is happening in natural science, which more and more points to the abyss of unknowable universe, and the unstable place of man in the world.
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About the authors
Galina G. Kolomiets
Orenburg State University
Author for correspondence.
Email: kolomietsgg@yandex.ru
Doctor of Sc. in Philosophy, Honorary Worker of the Sphere of Education of the Russian Federation, Professor, Department of Philosophy, Cultural Studies and Sociology
13, Pobedy avenue, Orenburg, 460018, Russian FederationReferences
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