“Nero (artist)” in F. M. Dostoevsky’s workbook of 1864–1867
- 作者: Smirnova E.L.1
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隶属关系:
- Petrozavodsk State University
- 期: 卷 7, 编号 1 (2020)
- 页面: 118-132
- 栏目: Articles
- URL: https://journal-vniispk.ru/2409-5788/article/view/285315
- DOI: https://doi.org/10.15393/j10.art.2020.4441
- ID: 285315
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详细
The article examines the problem of attribution of an essay from F. M. Dostoevsky’s workbook of 1864–1867 (Russian State Archive of Literature and Art. Fund 212.1.5. p. 10), titled “The Usurer”. The novelty of the study is in that Nero (the artist), a character who emerged from the writer’s knowledge and concept of Emperor Nero, for the first time becomes the subject of detailed analysis. Based on the evidence from the classical and early Christian writers, as well as on scientific and literary works written during Dostoevsky’s lifetime, the author makes an argument for Nero’s figure to be considered a junction of at least three elements. He is not merely Nero-the-artist, but also Nero-the-persecutor of Christians and Nero-the Antichrist. This image reveals a ramified network of extensive ties with the preparatory materials for an early draft of “The Idiot”. Thus, it augments the aggregate of B. N. Tikhomirov’s arguments regarding other records, characters, motifs and prototypes in this essay. It also support his theory regarding “The Usurer”, which states that it is not the author’s independent and unexecuted idea, but, rather, should be examined in the framework of the creative history of “The Idiot”, specifically, its initial stage.
作者简介
Ekaterina Smirnova
Petrozavodsk State University
编辑信件的主要联系方式.
Email: esmirnova@petrsu.ru
PhD in History, Associate Professor of the Department of Foreign History, Political Science and International Relations, Institute of History, Political and Social Sciences
俄罗斯联邦, pr. Lenina 33, Petrozavodsk, Republic of Karelia, 185910参考
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