Architecture as the basis for the synthesis of arts: an analysis of interaction through the prism of the concept of complementarity

The article examines the phenomenon of the synthesis of arts, the main connecting element of which is architecture. However, the synthesis of arts today increasingly interacts with the technosphere. This contains both the corresponding "threats and challenges". The research methodology is based on a combination of theoretical and empirical methods, including general scientific methods of analysis and synthesis, dialectical approach, method of intellectual speculation, modeling, project method, pedagogical and artistic-creative experience. The synthesis of the architectural space and painting, which in their totality represent an empirical test of the methodology of "integrated thinking" and substantiation of the author's vision of the synthesis of arts i made by the author. A "model - diagram" of the synthesis of arts using the synthesis of primary colors as an example is also made in the article. As a result of the analysis of the synthesis of arts through the prism of dialectical opposites: form-content, part-whole, quality-quantity, necessary-random, the fundamental significance of the integrative feature of art is revealed and substantiated. The study established that the synthesis of arts in architecture is possible on the basis of their complementary qualities, which allows achieving a measure of monumental gestalt - a unified integrity of a new order with a set of sought-after properties. A generalization was made that architecture is the basis of this synthesis. It was revealed that the synthesis of arts is both a purely human ability to recognize, understand and interpret meanings, and an activity to create them. The integration of classical synthesis of arts with the technosphere is becoming a necessary step in the process of transformation/evolution of our subject of research as a result of the emergence of new tasks and the development of the corresponding tools.

architecture, synthesis of arts, architectural and artistic space, consciousness, knowledge, complementarity, ensemble, integrated thinking, value, semantic image