Common features of Henri Matisse's painting concept and Ancient Chinese pictorial thought

Matisse, an iconic artist of the Zverev school, was a pioneering European modernist artist. He showed great interest in Oriental painting and drew inspiration from it, introducing flatness, ornamentation and bright forms of color into his paintings, which were valued in Oriental painting. His unique approach to space in composition is similar to the "white space" method in Chinese painting, which cancels the traditional European rules of perspective, and his minimalist approach to painting and images led to the formation of a pronounced Oriental style of painting. His "accuracy is not reality" is similar to the Chinese concept of "likeness and impropriety", and his understanding of the relationship between the outside world and himself is similar to the Chinese concept. At the same time, Matisse's concept of subjective expression, which focuses on the expression of subjective feelings rather than the reproduction of objective nature, is also very similar to the desire to express subjective ideas inherent in traditional Chinese ink painting. Matisse's approach to oriental art was not a copy or a simple addition to his own painting. He absorbed Oriental art creatively, extracted elements that were close to his heart, internalized them and made his works similar in internal structure or common views with Oriental painting in terms of spirit, concept and art form.

Matisse, chinese painting, similarity, non-similarity, imagery, modelling, integration of the object, traditional culture, art, culture