Moscow Jazz School of the 1950s and 1960s: leading soloists and collectives

The subject of the study is the creativity of the leaders of the Moscow jazz school of the 1950s and 1960s: the variety orchestra at the Moscow State Orchestra under the direction of E. Rosner, the jazz orchestra of the Central Chamber of Artists Yu. The Saul Variety Orchestra conducted by O. Lundstrom. The article summarizes the results of the study of the domestic jazz art of the 1950s and 1960s, substantiates the trend in the development of instrumental jazz, and characterizes the repertoire policy of Moscow jazz ensembles. The hypothesis of the influence on the development of the national jazz art of the 1950s and 1960s of those innovations that were formed in American and European jazz of the 1940s and 1950s is substantiated. The characteristics of the performing styles of the leading metropolitan soloists and collectives are given, their role in the development of the Moscow jazz school is determined. The scientific novelty lies in the analysis of the performing styles of the leading Moscow jazz soloists and ensembles of the 1970s and 1980s, which allowed us to substantiate the hypothesis of the influence on the domestic jazz art of trends formed in American and European jazz of the 1940s and 1950s. They are based on the principle of dominance of small groups of participants, the desire to improve technical and expressive capabilities all instruments of the ensemble, based on the use of the artistic potential of the solo parts. The peculiarity of the Moscow jazz ensembles, which along with Leningrad and Baltic ensembles were the flagships of the national jazz art of the 1970s and 1980s, was the strengthening of experimental orientation in the field of expanding the timbre palette of ensemble sound through the use of electronic instruments and sonoristics techniques. The tendency of advancing the timbre-coloristic aspect of musical sound to the forefront of creative searches brings the sphere of jazz and academic art of the second half of the XX century closer.

Eddie Rosner, Yuri Saulsky, Oleg Lundstrem, Soviet jazz, Moscow jazz school, modern jazz, jazz orchestra, jazz composer, Alexey Kozlov, Aleksander Tsfasman