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期	标题	文件
编号 2 (2023)	"The Peasant Lady": an Existential Choice, Super-Difficult in Life, but Possible in Art	(Rus)
Rozin V.
编号 5 (2025)	"Embodied" design thinking: Western and Eastern approaches	(Rus)
Filonenko N., Kazakova N.
编号 12 (2024)	The "Oriental approach" to propaedeutics in the context of "somatic-oriented" design	(Rus)
Filonenko N.
编号 9 (2025)	«Kniga likovaniy» by A. L. Volynsky as a result of his reflections on the classical dance’s nature	(Rus)
Kulikova E.
编号 4 (2024)	"Mercury and Argus" by P. I. Sokolov: aesthetics of the painting, search for an artistic image, perception by contemporaries	(Rus)
Zhelnova E.
编号 2 (2025)	"There is no shakier reflection of the word...": Shakespeare in the translations of Tatiana Shchepkina-Kupernik	(Rus)
Liubivaia I.
编号 10 (2024)	Wang Chao's "Journey": towards the problem of the "Ecological" trend in the contemporary choral work of Chinese composers	(Rus)
ZHOU Z.
编号 5 (2025)	"Soviet aesthetics" in the design of China and North Korea	(Rus)
Tretyakova M., Kazakova N.
编号 2 (2025)	“Somaesthetic design” as a tool to develop the consumer's somatic consciousness	(Rus)
Filonenko N., Kazakova N.
编号 8 (2024)	“He Descends on the Clouds; He Has a Golden Scepter in His Right Hand; a Two-Headed Eagle Hovers Above Him”: the Figure of the Genius of Russia in Russian Art of the Late 18th – First Quarter of the 19th Century	(Rus)
Chebakova P.
编号 9 (2025)	"Body-oriented" propaedeutics in design: rhythmic and compositional shaping techniques	(Rus)
Filonenko N., Tretyakova M., Tipikin V., Kazakova N.
编号 11 (2024)	The "Embodied approach" in design: the way to the East	(Rus)
Filonenko N.
编号 12 (2025)	Turandot on the Chinese Opera Stage: The Challenges of Adapting the Western Opera Canon	(Rus)
Peng C.
编号 11 (2025)	"Qi-Pai" as a phenomenon of the musical culture of China in the 20th century: an example of the opera "The Gray-haired Girl"	(Rus)
Luo J., Chernova A.
编号 10 (2023)	"Black" and "white" in German Expressionist Films	(Rus)
Popova L.
编号 8 (2023)	The symbolism of the mask in the theatrical art of the West and East	(Rus)
Jin C.
编号 5 (2025)	FMV games as a new form of hybrid media	(Rus)
Khotin D.
编号 3 (2025)	Japandi: between Nordic and Japanese design	(Rus)
Tretyakova M., Kazakova N., Kravchuk S.
编号 10 (2025)	Graham Harman's Weird Realism and Its Influence on Contemporary Art and Architecture	(Rus)
Ivanov A.
编号 3 (2024)	Absurdism and its relation to faith in Beckett's play "Waiting for Godot"	(Rus)
Ponomareva A.
编号 6 (2024)	Autobiographical motifs in the "silent books" of contemporary Chinese artists (using the example of Sean Tan and Guojin)	(Rus)
Miao J., Fedorovskaya N.
编号 2 (2024)	Academician Alexander Konstantinovich Krylov as a teacher and educator	(Rus)
Mel'nikov V.
编号 2 (2023)	Academic and mass genres in the works of M. Magomayev	(Rus)
Kaloev A., Lashcheva E.
编号 10 (2025)	Active Ageing and Digital Culture of Older Adults: A Cultural Analysis of the Chinese Experience	(Rus)
Zou S.
编号 11 (2025)	Actualization of intangible heritage in the context of cultural digitalization: problems and key trends	(Rus)
Sazonova V.
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