Сonceptualization Features of Historical Memory in Documentary Film as Polycode Text
- Autores: Salomakhin A.Y.1
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Afiliações:
- North-Caucasus Federal University
- Edição: Nº 9(903) (2025)
- Páginas: 71-78
- Seção: Linguistics
- URL: https://journal-vniispk.ru/2542-2197/article/view/342121
- ID: 342121
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Resumo
The article examines the conceptualization processes of historical memory in a polycode text based on the serial documentary film “Les Rois de France.” The purpose of the study is to determine the interaction features of visual, audio and verbal code systems that constitute the conceptual and semantic unity of the documentary. The identification of polycode means of conceptualizing historical memory was carried out using the linguopragmatic, semiotic, contextual and discourse analysis methods. The study showed that in the documentary, conceptualization of memory is implemented through visual symbols of power, historical iconography, reconstruction and chronicles, as well as emotionally colored musical and sound effects and expressive means, allowing pragmatically effective reconstruction of the past image as an integral part of cultural heritage of France.
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Sobre autores
Anatoly Salomakhin
North-Caucasus Federal University
Autor responsável pela correspondência
Email: anatoly.salomakhin@gmail.com
PhD student, Lecturer at the Linguistic department
RússiaBibliografia
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