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On Reception of Shakespeare’s Sonnets in the Context of Plato’s ‘Symposium’: Semantics of the Characters and the Author’s Self. Part 2
- 作者: Hazanova O.E.1
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隶属关系:
- Moscow Pedagogical State University
- 期: 编号 5(899) (2025)
- 页面: 104-110
- 栏目: Literary criticism
- URL: https://journal-vniispk.ru/2542-2197/article/view/297134
- ID: 297134
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详细
The article analyzes the semantics of the image of the lyrical hero in Shakespeare’s sonnets with reference to the concepts of the true and false Eros and hierarchy of beauty in Plato’s dialogue “Symposium”. The lyrical hero is interpreted by means of the masks that he ‘creates’ for his beloved ones – ‘the divine beautiful’, ‘the earthly realization of the divine beautiful’ and ‘Christian androgyny’ – while searching for the Absolute like it occurs in Plato’s dialogue. We also consider Shakespeare’s ‘self’ in the sonnets which embraces modal semantics of the philosophical constructivism and thus suggests a certain affinity to Plato’s ‘self’ as reflected in “Symposium.
作者简介
Olga Hazanova
Moscow Pedagogical State University
编辑信件的主要联系方式.
Email: olga_edwards@inbox.ru
PhD (Philology), Associate Professor, Department of contrastive linguistics, Institute of foreign languages,
俄罗斯联邦参考
- Hazanova, O. E. (2025). On Reception of Shakespeare’s Sonnets in the Context of Plato’s ‘Symposium’: Semantics of the Characters and the Author’s Self. Part 1. Vestnik of Moscow State Linguistic University. Humanities, 4(898), 113–119. (In Russ.)
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- Hazanova, O. E. (2024). Ob istoricheskoj semantike obraza psixomaxii v 144 sonete Shekspira = On historic semantics of the image of psychomachia in sonnet 144 by Shakespeare. In Modern problems of general linguistics and linguodidactics (pp. 47–54). Proceedings of the 31st International scientific and practical conference. Moscow. (In Russ.)
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