Image and text: to the question of textual sources of typological parallelism in the Iconography of Western European Art of the XII century.
- Authors: Sycheva I.A.1
-
Affiliations:
- Issue: No 4 (2023)
- Pages: 155-166
- Section: Articles
- URL: https://journal-vniispk.ru/2454-0757/article/view/366239
- EDN: https://elibrary.ru/QOPAWQ
- ID: 366239
Cite item
Full Text
Abstract
One of the iconographic trends that became especially articulated in the XII century is the strengthening of the role of typological logic in the selection and organization of subjects within the iconographic program of monuments of decorative and applied art, book illumination and stained glass. Interest in this kind of visual exegesis, based on the symbolic parallelism of the Old and New Testaments, generates experiments in the field of iconographic programs, which leads to the appearance in the late XII – early XIII centuries a number of monuments in which detailed typological cycles are used (the Klosterneuburg altar, typological stained glass windows of French and English cathedrals). The subject of the research in this article is the connection of the described iconographic trend with texts of a theological, theosophical and liturgical nature. Despite the fact that some of the mentioned texts have already been involved by researchers of Christian iconography for the interpretation of pictorial programs, a special study of the sources of "typological iconography" in the XII century has not been implemented yet. Based on the analysis of a number of texts and iconographic analysis of fine art monuments, an attempt is made to identify a group of sources that could be familiar to the compilers of iconographic programs. Among the monuments of fine art, works created in the Rheno-mosan region (as well as derivatives of this tradition) are of particular interest in the XII century. In this group of works of art (including processional and altar crosses, phylacteries, portable altars, works of stained glass and book illumination), searches in the field of typological iconography are consistently realized.
About the authors
Iuliia Andreevna Sycheva
Email: yuliya.sycheva13@mail.ru
ORCID iD: 0000-0002-7835-4576
References
Панофский Э. Иконография и иконология: введение в изучение искусства Ренессанса // Э. Панофский. Смысл и толкование изобразительного искусства / Пер. с англ. В. В. Симонова. М., 1999. Маль Э. Религиозное искусство XIII века во Франции / Пер. с фр. А. В. Пожидаевой и Д. Д. Харман. М., 2009. Grabar A. Les voies de la crèation en iconographie chrétienne: Antiquité et Moyen Age. Paris, 1979. Baschet J. L'iconographie médiévale. Paris, 2008. Buschhausen H. The Klosterneuburg Altar of Nicholas of Verdun: Art, Theology and Politics // Journal of the Warburg and Courtauld Institutes. Vol. 37. London, 1974. Pp. 1-32. Buschhausen H. Der Verduner Altar: Das Emailwerk des Nikolaus von Verdun im Stift Klosterneuburg. Vienna, 1980. Buschhausen H. The Theological Sources of the Klosterneuburg Altarpiece // The Year 1200: A Symposium, 1975. Pp. 119-138. Stratford N. Three English Romanesque Enamelled Ciboria // The Burlington Magazine. 1984. Vol. 126, No. 973. Pp. 204-216. Даниелу Ж. Таинство будущего. Исследования о происхождении библейской типологии / Пер. с фρ. В. Н. Генке под общ. и науч. ред. А. Г. Дунаева. М., 2013. Lubac H. de. Medieval Exegesis. Vol. 1: The Four Senses of Scripture. Grand Rapids, 1998. Сочинения Св. Иустина, Философа и мученика / Пер. Прот. П. Преображенского. М., 1892. С 132–362. Ориген. Гомилии на Книгу Бытия 1.1. Цит по: Ориген. Гомилии на Бытие. / Предисл., пер. с лат. и греч. и примеч. свящ. Михаила Асмуса. М., 2019. Амвросий Медиоланский. Послания. 1.21. Иероним Стридонский. Трактат на Псалмы (Пс 76). Августин. Вопросы на семикнижие. 2.73. Августин. О граде Божьем. Книга 16, Глава 26. Biblia latina cum glossa ordinaria. Facsimile Reprint of the Editio Princeps Adolph Ruschof Strassburg 1480/81 / Ed. by Karlfried Froehlich and Margaret T. Gibson. Turnhout, 1992. Bibliorum Sacrorum cum Glossa Ordinaria. Venice, 1603. Leclercq-Marx J. Le Physiologus, source d’inspiration pour l’art et la littérature du haut Moyen Âge et du Moyen Âge central: Quelques exemples et pistes de réflexion // Reinardus. 2018. № 30. Pp. 124-155. Zemler-Cizewski W. The Literal Sense of Scripture Аccording to Rupert of Deutz // The multiple meaning of scripture the role of exegesis in early Christian and medieval culture. Leiden, 2009. Pp. 203-224. Carey P., Lienhard J. Biographical Dictionary of Christian Theologians. Westport, Connecticut, 2000. Rupertus Tuitiensis. In Exodum Commentariorum. Patrologia Latina. Vol. 167. Beitz E. Deutz R. von. Seine Werke und die bildende Kunst. Köln, 1930. Deremble J.-P. Formes typologiques en pays de Rhin et de Meuse à l'époque romane// Revue du Nord. 1992. N. 297-298. Pp. 729-752. Curschmann M. Imagined Exegesis: Text and Picture in the Exegetical Works of Rupert of Deutz, Honorius Augustodunensis, and Gerhoch of Reichersberg // Traditio. 1988. Vol. 44. Pp. 145-169. Ванеян С. С. Архитектура и иконография. «Тело символа» в зеркале классической методологии. М., 2010. Sobkovitch S. Les préfigurations mariales dans l’art byzantin : évolution des principaux types / Thèse de doctorat sous la direction de C. Jolivet-Lévy. Paris, 2011. Honorius Augustodunensis, Speculum ecclesiae. De Paschali die. Patrologia Latina. Vol. 172. Антология средневековой мысли: Теология и философия европейского Средневековья: в 2 т. / Под ред. С. Неретиной; сост. С. Неретиной, Л. Бурлака. Т.1. СПб., 2001. Rudolph C. Inventing the Exegetical Stained-Glass Window: Suger, Hugh, and a New Elite Art / The Art Bulletin. 2011 № 4. Pp. 399-422. Altvater F. Sacramental Theology and the Decoration of Baptismal Fonts. Newcastle, 2017. Ненарокова М. Р. Секвенции Адама Сен-Викторского как часть образовательной программы викторинцев // Arbor mundi. 2010. № 17. С. 179-233. James M. R. Pictor in Carmine // Archaeologia journal. 1951. Vol. 94. Pp. 141-166.
Supplementary files
