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THE TRIGGER FOR A CHANGE IN AUTHOR’S MINDSET IN FRANCOIS RABELAIS’ PENTALOGY “GARGANTUA AND PANTAGRUEL”
- Authors: Bondarev А.P.1
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Affiliations:
- Moscow State Linguistic University
- Issue: No 13(894) (2024)
- Pages: 127-133
- Section: Literary criticism
- URL: https://journal-vniispk.ru/2542-2197/article/view/291629
- ID: 291629
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Abstract
The cognitive interest of the article is aimed at explicating the plot-forming interaction of internal and external - subjectively creative and objectively deconstructive - circumstances that prompt the author to correct the original idea. The artistic picture of the world constructed by the author is rethought by him as the structure of the conflict chosen for artistic objectification is revealed by a fan of intra- and extra-textual correlations not envisaged by the original author’s intention. The expansion of the theme of Panurge’s marriage, going beyond the cognitive potential of the grotesque, acted as a trigger that marked the transition from the perception of the natural-social world as a carnival to the perception of socio-historical man as a philosophical-anthropological problem.
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About the authors
Аlexandre Petrovich Bondarev
Moscow State Linguistic University
Author for correspondence.
Email: prosaika@yandex.ru
Doctor of Philology (Dr. habil.), Professor, Professor at the Department of Russian and Foreign Literature Faculty of Translation and Interpreting, Moscow State Linguistic University
Russian FederationReferences
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