Language Creativity in Artistic Work of the French Writer Raymond Queneau

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The paper is devoted to language experiments of the French writer Raymond Queneau based on his novel “Zazi in the metro”. The article reveals and analyses the means and devices of his experiments. Scientific innovations of R. Queneau consist in including in the field of research phonetic writing and sound symbolism. He showed the semantic potential of words of spoken and popular language by extension and change of their meanings. Queneau made a valuable contribution to problems of language creativity which promoted the development of original scientific trend - linguistics of creativity.

Sobre autores

Valeriy Kuznetsov

Moscow State Linguistic University

Autor responsável pela correspondência
Email: vgk.avamo@mail.ru

Doctor of Philology (Dr. habil.), Professor, Professor at the Department of French Lexicology and Stylistics Faculty of the French language Moscow State Linguistic University

Rússia

Irina Semina

Moscow State Linguistic University

Email: isemfirs@mail.ru

Doctor of Philology (Dr. habil.), Associate Professor, Professor at the Department of French Lexicology and Stylistics Faculty of the French language Moscow State Linguistic University

Rússia

Bibliografia

  1. Ormesson, J (1997). Une autre histoire de la litttérature française. I. Paris: Gaillimard. (In Fr.)
  2. Queneau, R. (1950). Bâtons, Chiffres et Lettres. Paris: Gallimard.
  3. Céline, L.-F. (1932). Voyage au bout de la nuit. Paris: Danoel.
  4. Queneau, R. (1947). Exercices de style. Paris: Gallimard.
  5. Léon, P. R. (1971). Essais de phonostylistque. Paris: Didier.
  6. Gridina, T. A. (Ed.). (2012). Lingvistika kreativa = Linguistics of creativity: collective monograph. Ekaterinburg: Ural State Pedagogical University. (In Russ.)

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