On Some Components of German Musical Discourse (based on conductors’ speech)

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Abstract

The study aims to highlight the components of musical discourse and their analysis. The material of the study was video recordings of open rehearsals of conductors with a symphony orchestra. Using the method of observing the actions of communicants, as well as the analytical method, the features of communication were identified: the main features were the simultaneous use of several semiotic systems by communicants, the subordinative type of communication and the variety of forms of existence of the addressee in the same communication situation.

About the authors

Anastassija Stanislavovna Nozdrina

MGIMO University

Author for correspondence.
Email: nozdrina@list.ru

PhD (Philology), Associate Professor at the Department of the German Language Moscow State Institute of International Relations (University) 

Russian Federation

References

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