Email this article 
Characteristic Aspects of Parnassian and Pre-Raphaelite Aesthetic Concepts: Similarities and Differences
- Authors: Nazarova T.V.1
-
Affiliations:
- Peoples’ Friendship University of Russia
- Issue: No 13(868) (2022)
- Pages: 133-140
- Section: Literary criticism
- URL: https://journal-vniispk.ru/2542-2197/article/view/356937
- ID: 356937
Cite item
Full Text
Abstract
The article examines the issue of the intersection of Parnassian and Pre-Raphaelite aesthetic concepts in poetry. The result of the study was the establishment of several common points and differences in the poets’ understanding of the goals of art; their views on the idea of «art for art’s sake», paying special attention towards its reflection in England; as well as among the key features of their poetics that emerged due to it: orientation to the synthesis of arts, linguistic innovation, attention to static forms.
About the authors
Tatiana Victorovna Nazarova
Peoples’ Friendship University of Russia
Author for correspondence.
Email: aven1808@gmail.com
PhD student of Department of Russian and Foreign Literature, Faculty of Philology
Russian FederationReferences
- Zhirmunskij, V. M. (1996). Nemeckij romantizm i sovremennaya mistika = German Romanticism and modern mysticism. With introduction and commentory by A. G. Astvacaturov. St. Petersburg: Axioma : Novator publ. (In Russ.)
- Ruskin, J. (1888). Modern Painters. V. 1. Sunnyside, Kent: G. Allen.
- Luk’yanov, A. V. (2019). Estetizm i dekadans v viktorianskoj poezii = Aestheticism and decadence in Victorian poetry. Istinnaya sushchnost’ lyubvi: Anglijskaya poeziya epohi korolevy Viktorii = True nature of love: English poetry of the epoch of Queen Victoria (pp. 64-67). Collected by A. V. Luk’yanov; tr. by A. V. Luk’yanov, A. V. Savin, V. M. Korman, S. G. Shestakov. Moscow: Vodolej publ. (In Russ.)
- Connolly, T. E. (1952). Swinburne’s Theory of the End of Art, 4(19), 277–290. Baltimore: ELH.
- Singletary, S. (2016). James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music. Milton Park, Abingdon: Taylor & Francis.
- Benson, P. (1980). Pre-Raphaelites: The First Decadents. PhD in Philology. Denton, Texas.
- Zenkin, S. N. (1999). Teofil’ Got’e i «iskusstvo dlya iskusstva» = Theophile Gautier and «art for art’s sake». Zenkin S. N. Raboty po francuzskoj literature = Works on French literature (pp. 170–200). Ekaterinburg: Ural University publ. (In Russ.)
- Sokolova, N. I. (1995). Literaturnoe tvorchestvo prerafaelitov v kontekste «srednevekovogo vozrozhdeniya» v viktorianskoj Anglii = Literary works of the Pre-Raphaelites in the context of the «medieval renaissance» in Victorian England: PhD in Philology. Moscow. (In Russ.)
- Faulkner, P. (2010). The Odd Man Out: Morris Among The Aesthetes. The Journal of the Decorative Arts Society 1850 – the Present, 34, 76–91. (The Decorative Arts Society 1850 to the Present.)
- Kosikov, G. K. (1989). Teofil’ Got’e, avtor «Emalej i Kamej» = Theophile Gautier, the author of «Enamels and Cameos». Gautier T. Emali i kamei = Enamels and Cameos: collected works (pp. 5–28). Compiler G. K. Kosikov. Moscow: Raduga publ. (In Russ.)
- Harvey, C., Press, J. (1996). William Morris. Art and Idealism. Victorian Values: Personalities and Perspectives in Nineteenth-Century Society (pp. 201–213). Boston: Addison Wesley Longman.
- Pakhsar’yan, N. T. (2012). Romanicheskaya proza Teofilya Got’e: mezhdu real’nost’yu i voobrazheniem = Novelistic prose of Theophile Gautier: between reality and imagination. Gautier T. Romanicheskaya proza, 1, 521–550. Moscow: Ladomir : Nauka publ. (In Russ.)
- Sedykh, E. V. (2009). Tvorchestvo U. Morrisa v kontekste estetizacii Srednevekov’ya i vzaimodejstviya literatury s drugimi vidami iskusstv = The works of W. Morris in the context of the aestheticization of the Middle Ages and the interaction of literature with other kinds of art: PhD in Philology. St. Petersburg. (In Russ.)
- Rubens, M. (2003). Plasticheskaya radost’ krasoty: Ekfrasis v tvorchestve akmeistov i evrop. Tradiciya = The plastic joy of beauty: ekphrasis in the works of Acmeists and the European tradition. St. Petersburg: Akademicheskij proekt. (In Russ.)
- Vanslov, V. V. (1987). Morris ob arhitekture i sinteze iskusstv = Morris on arts’ synthesis. Shestakov V. P. Estetika Morrisa i sovremennost’ = Morris’s aesthetics and modernity (pp. 85–95). Moscow: Izobrazitel’noe iskusstvo. (In Russ.)
- Helsinger, E. K. (2009). Listening: Dante Gabriel Rossetti and the Persistence of Song. Victorian Studies, 51(3), 409–421.
- Helsinger, E. (2020). Swinburne’s Expansive Poetics. In H. B. Witcher and A. K. Huseby (eds.), Defining PreRaphaelite Poetics (pp. 282–307). London: Palgrave Macmillan.
Supplementary files
