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Reception of L. N. Tolstoy’s Work in the Artistic-aesthetic System of H. Bordeaux: the Imagopoetic Aspect
- Authors: Karpova A.V.1, Semina I.A.1
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Affiliations:
- Moscow State Linguistic University
- Issue: No 9(903) (2025)
- Pages: 113-123
- Section: Literary criticism
- URL: https://journal-vniispk.ru/2542-2197/article/view/342137
- ID: 342137
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Abstract
The article examines the influence of L. N. Tolstoy’s artistic practice and aesthetic views on the French author of the first half of the 20th century, H. Bordeaux. The aim of the study is to identify the specifics of the reception of L. N. Tolstoy’s work and its role in shaping the artistic and aesthetic system of the selected French author. The study employs a comprehensive methodological approach, including comparative-historical, imagological, thesaurus, axiological, and biographical methods. The material for the study is H. Bordeaux’s essay “Count Leo Tolstoy. Resurrection” in the context of the essay collection “Writers and Morals: Notes, Essays, and Reflections” and the broader context of the author’s artistic work. The research demonstrates the significant degree and complex nature of the influence of L. N. Tolstoy’s work on the formation of H. Bordeaux’s artistic and aesthetic system.
About the authors
Anastasia Vladimirovna Karpova
Moscow State Linguistic University
Author for correspondence.
Email: a.v.karpova@linguanet.ru
Lecturer at the Department of Russian and World Literature, Faculty of Translation and Interpreting
Russian FederationIrina Aleksandrovna Semina
Moscow State Linguistic University
Email: isemfirs@mail.ru
Doctor of Philology (Dr. habil.), Associate Professor, Professor at the Department of French Lexicology and Stylistics, Faculty of the French Language
Russian FederationReferences
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