| Issue |
Title |
File |
| Vol 5, No 2 (2025) |
Perspectivism in the scientific views of N.T. Rymar: the ethical and aesthetic vector of a creative individual |
(Rus)
|
|
Viktorov I.A., Garbuzinskaya Y.R.
|
| Vol 5, No 2 (2025) |
Sociocultural space in V. Nabokov’s novel "Camera Obscura" |
(Rus)
|
|
Mastepak T.G., Poleva E.A.
|
| Vol 5, No 2 (2025) |
The kind of sound remarks in Leonhard Frank’s play "Male Quartet" |
(Rus)
|
|
Morozov D.D.
|
| Vol 5, No 2 (2025) |
Formation of Ian McEwan’s artistic perspectivism |
(Rus)
|
|
Rozanov M.A.
|
| Vol 5, No 2 (2025) |
Picturesque ekphrasis in the subjective structure of the lyrical cycle of S. Gandlevsky |
(Rus)
|
|
Abramovskikh E.V.
|
| Vol 5, No 1 (2025) |
The musical paradigm of contemporary Russian prose |
(Rus)
|
|
Nekrasova I.V.
|
| Vol 5, No 1 (2025) |
“Klio-72” as a personalization of intergenerational memory in Yu.V. Trifonov’s novel “Impatience” |
(Rus)
|
|
Sergeeva E.N., Sundukova K.A.
|
| Vol 5, No 1 (2025) |
Cultural identity B.Yu. Poplavsky: between symbolism and surrealism |
(Rus)
|
|
Simakova V.E.
|
| Vol 5, No 1 (2025) |
"If the age aspires to the abyss, it is better to get behind it" – the biblical text in the novel by B.A. Sadovsky "The Sixth Hour" |
(Rus)
|
|
Kislova N.N.
|
| Vol 5, No 1 (2025) |
Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa") |
(Rus)
|
|
Razukhina K.
|
| Vol 4, No 4 (2024) |
Some aspects of extraterrestrial life in science fiction |
(Eng)
|
|
Zalomkina G.V.
|
| Vol 4, No 4 (2024) |
Intertextuality in the book by Pavel Ulitin "Makarov scratches the back of his head" |
(Rus)
|
|
Kiriakova E.M.
|
| Vol 4, No 4 (2024) |
Artificial laughter: V. Pelevin’s "iPhuck 10" |
(Rus)
|
|
Alqaisi R.
|
| Vol 4, No 4 (2024) |
Toponyms as a way of organizing artistic space in the novel by Georgy Venus "Finches in Armor" |
(Rus)
|
|
Pirogova T.O.
|
| Vol 4, No 3 (2024) |
The mass person and their speech roles of a simpleton, a buffoon, a mentor in the Russian prose of the 1920s |
(Rus)
|
|
Golubkov S.A.
|
| Vol 4, No 3 (2024) |
The peculiarity of Pushkin-related texts in modern Russian literature |
(Rus)
|
|
Nekrasova I.V., Ustimenko А.А.
|
| Vol 4, No 3 (2024) |
The category of Nothingness as a factor in the aesthetics and poetics of modernist literature |
(Rus)
|
|
Zhitko R.G.
|
| Vol 4, No 3 (2024) |
The category of observer in the works of M.M. Bakhtin and the U. Eco`s novel «The Name of the Rose» |
(Rus)
|
|
Makhov D.
|
| Vol 4, No 2 (2024) |
The Poetics of the Ecstatic Within the Boundaries of the Novel: "The Secret History" by D. Tartt |
(Rus)
|
|
Aleksandrova A.A.
|
| Vol 4, No 2 (2024) |
Correspondence of M. Gorky with Samara Children and Teenagers |
(Rus)
|
|
Kudrina E.V.
|
| Vol 4, No 2 (2024) |
The "Indian Paradox" in theWorks of I.A. Bunin |
(Rus)
|
|
Karpenko G.Y., Mishra P.
|
| Vol 4, No 2 (2024) |
Semiotics of Self-identification in the 1930s Ego-documents (the Example of Isabella Grinevskaya’s Archive) |
(Rus)
|
|
Sarycheva C.V.
|
| Vol 4, No 1 (2024) |
The rainbow as a "sign of the covenant" in I.A. Bunin's spiritual lyrics: semiotics of the sacred. Article 2. "The arch of the rainbow – the Creator's favor...", "Two rainbows – and a golden, rare Spring rain" |
(Rus)
|
|
Karpenko G.Y.
|
| Vol 4, No 1 (2024) |
Elements of decorative prose in the novel by Alexander Sobolev “Griffins guard the lyre” |
(Rus)
|
|
Pozdnyakov K.S., Kvetkin P.D.
|
| Vol 4, No 1 (2024) |
The celestial ferry: Elena Shvarts’s ekphrasis as the sum of readerly experience |
(Rus)
|
|
Markov A.V., Bratina O.A.
|
| Vol 4, No 1 (2024) |
A novel in verse: poetics of intermediate form |
(Rus)
|
|
Zhuravleva О.А.
|
| Vol 3, No 4 (2023) |
Semiotics of V. Nabokov’s artistic language in the light of N. Goodman’s theory of symbolization |
(Rus)
|
|
Shevchenkp E., Gerchenova D.
|
| Vol 3, No 4 (2023) |
The role of urban space in А. Ilichevsky's novel "Newton's drawing" |
(Rus)
|
|
Tutelova L.G., Sidorenko L.S.
|
| Vol 3, No 4 (2023) |
Samara space in Dina Rubina's novel «Petrushka's syndrome» |
(Rus)
|
|
Levina P.A., Perepelkin M.А.
|
| Vol 3, No 4 (2023) |
Rainbow as a covenant in I.A. Bunin's spiritual lyrics: semiotics of the sacred. Article 1. Introduction to the problem. Sacred in the works of I.A. Bunin |
(Rus)
|
|
Karpenko G.Y.
|
| Vol 3, No 4 (2023) |
The phenomenon of creative self-reflection and the problem of creating a biography of the writer |
(Rus)
|
|
Golubkov S.A.
|
| Vol 3, No 3 (2023) |
The modernity artistic metanarrative and the 19th century novel structure |
(Rus)
|
|
Rymar N.T.
|
| Vol 3, No 3 (2023) |
Statement authenticity and “sign functioning” in communication between “deaf-blind and regular persons” (based on O. Skorokhodova’s works) |
(Rus)
|
|
Nechaeva E.A.
|
| Vol 3, No 2 (2023) |
Studying the Russian culture Voronezh text at Voronezh State University |
(Rus)
|
|
Ternova T.A.
|
| Vol 3, No 2 (2023) |
Volga text: streaming down to definition |
(Rus)
|
|
Morozova K.I.
|
| Vol 3, No 2 (2023) |
Transformations of the travelogue genre in the essays by A. Ulanov |
(Rus)
|
|
Zalomkina G.V.
|
| Vol 3, No 2 (2023) |
Samara within the scope of “The Eighteenth Year” novel by A.N. Tolstoy |
(Rus)
|
|
Vorontsova G.N.
|
| Vol 3, No 1 (2023) |
Provincial town as a spatial model in the satirical and humorous literature |
(Rus)
|
|
Golubkov S.A.
|
| Vol 3, No 1 (2023) |
Internet space in the contemporary drama about teenagers |
(Rus)
|
|
Kabilova Е.S.
|
| Vol 3, No 1 (2023) |
Semiotics of the city in the sketches by N. Garin-Mikhailovsky «In the hustle and bustle of the provincial life» |
(Rus)
|
|
Perepelkin M.A.
|
| Vol 3, No 1 (2023) |
Mnemonic narrative method in the trilogy by Agota Kristof (“The Notebook”, “The Proof”, “The Third Lie”) |
(Rus)
|
|
Sundukova K.A.
|
| Vol 2, No 4 (2022) |
Ilf’s «Zapisnye Knizhki» [Sketch Books] of 1930s as the proof of social realistic discourse formation |
(Rus)
|
|
Pozdnyakov K.S.
|
| Vol 2, No 4 (2022) |
Samara the fantastic |
(Rus)
|
|
Kazarina T.V.
|
| Vol 2, No 4 (2022) |
Historicism as an aspect of novel thinking |
(Rus)
|
|
Zhuravleva О.А.
|
| Vol 2, No 3 (2022) |
Poetics of the variant. N.G. Garin-Mikhailovsky’s stories in the Samara periodicals of the 1890s-1900s. |
(Rus)
|
|
Perepelkin M., Perepelkin I.
|
| Vol 2, No 3 (2022) |
Oh brave new world of A.K. Goldebaev |
(Rus)
|
|
Morozova K.
|
| Vol 2, No 3 (2022) |
S. Lem as a literary theorist: an existentialist underneath the mask of a structuralist |
(Rus)
|
|
Darenskiy V.
|
| Vol 2, No 3 (2022) |
Semiotic capacity of insanity: thought disorder modelling as a tool for possible text world making (based on texts by S. Lem) |
(Rus)
|
|
Smerdowa E.
|
| Vol 2, No 2 (2022) |
«The collapse» of engineer Garin: N.G. Garin-Mikhailovsky and A.N. Tolstoy |
(Rus)
|
|
Perepelkin M.
|
| Vol 2, No 2 (2022) |
The dimensional outlook levels of the writer N.G. Garin-Mikhailovsky |
(Rus)
|
|
Golubkov S.
|
| Vol 2, No 2 (2022) |
“Orchid” by N.G. Garin-Mikhailovsky: features of the playwright’s communicative strategies |
(Rus)
|
|
Tyutelova L., Ivanova V.
|
| Vol 2, No 2 (2022) |
Published at the expense of N. Garin-Mikhailovsky: R. Zimmerman and his book «Kulak-usury, its socio-economic significance» through the eyes of the publisher |
(Rus)
|
|
Pelevina O.
|
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